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Free for Commercial Use

Sans Normal Pekop 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Squad' by Fontfabric, 'Danos' by Katatrad, 'Akwe Pro' by ROHH, 'Mister London' and 'Point Panther' by Sarid Ezra, and 'Ambra Sans' and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, playful, friendly, chunky, bouncy, retro, approachability, impact, playfulness, retro feel, display clarity, rounded, soft corners, compact, puffy, posterish.


Free for commercial use
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A heavy, rounded sans with soft corners and thick, mostly monoline strokes. Curves are generously inflated and joins are smoothed, giving counters and apertures a compact, somewhat closed feel. Proportions are slightly irregular from glyph to glyph, with a subtly hand-cut, bouncy rhythm that keeps verticals from feeling rigid. Uppercase forms are broad and blocky, while the lowercase stays stout with short extenders and robust bowls; numerals follow the same chunky, rounded construction for a cohesive color on the page.

Best suited for display typography such as headlines, posters, playful branding, packaging, and bold signage where its rounded mass and lively rhythm can carry the layout. It can work for short callouts or UI badges when spacing is opened up, but it is most effective when not forced into long, tightly set text.

The overall tone is upbeat and approachable, with a toy-like, cushiony presence that reads as warm rather than technical. Its slight wobble and puffed shapes suggest casual confidence and a retro-pop sensibility, making text feel energetic and friendly.

The design appears intended to deliver a high-impact, friendly display voice by combining very heavy strokes with rounded geometry and slightly irregular proportions. It prioritizes warmth, simplicity, and punchy presence, aiming for immediate legibility and character in branding and attention-grabbing text.

In dense settings the heavy weight and tighter apertures can reduce internal whitespace, so the font benefits from generous tracking and line spacing when used for longer passages. The round punctuation-like dots (e.g., i/j) and bulbous bowls help maintain strong recognition at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸