Sans Other Ipre 3 is a very bold, very wide, low contrast, upright, normal x-height font.
Keywords: logos, headlines, posters, gaming ui, sports branding, futuristic, tactical, industrial, aggressive, arcade, sci‑fi styling, brand impact, interface labeling, logo design, display voice, angular, faceted, chiseled, geometric, modular.
A heavy, angular sans with faceted outlines and prominent chamfered corners. Strokes are largely monolinear and built from straight segments, producing a mechanical, cut-metal silhouette with occasional pointed terminals and wedge-like notches. Counters tend to be small and polygonal, and many characters use shield- or chevron-inspired interior shapes, reinforcing a modular, engineered rhythm. Lowercase forms echo the uppercase construction rather than becoming cursive, keeping the overall texture blocky and uniform across text.
Best suited for short, high-impact settings such as logos, titling, posters, esports and gaming UI labels, product packaging, and event graphics. It works well where a technological or tactical mood is desired and where the letterforms can be given enough size to showcase their faceted detailing.
The font projects a hard-edged, high-tech tone that feels assertive and action-oriented. Its sharp geometry and emblematic cut-ins suggest sci‑fi interfaces, competitive gaming, and militaristic or sports branding aesthetics. The overall impression is bold, loud, and designed to command attention rather than disappear into body copy.
The design appears intended to translate a geometric, emblem-like construction into a full text alphabet, prioritizing a cohesive angular motif over neutral readability. Its repeated chamfers, notches, and shield-like counters point to an identity-driven display face meant to look engineered and futuristic.
Spacing and widths vary by character, creating a slightly staggered, display-driven cadence that emphasizes individual letterforms. The numerals and caps share the same angular vocabulary, and diagonals are used sparingly but decisively, often as clipped corners or pointed joins. At smaller sizes the tight counters and dense shapes may reduce clarity, while at larger sizes the distinctive facets read as intentional styling.