Sans Superellipse Harow 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bio Sans' by Dharma Type, 'Core Sans D' by S-Core, 'Unione' by TOMO Fonts, and 'TA Film Fiction Sans' by Tural Alisoy (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui labels, modern, friendly, utilitarian, confident, techy, modernize, soften geometry, maximize impact, improve clarity, rounded corners, geometric, high contrast (size), crisp terminals, compact counters.
This typeface is a geometric sans with rounded-rectangle (superellipse) construction, producing squared-off curves and softened corners throughout. Strokes are consistently heavy and even, with broad, stable shapes and minimal modulation. Counters tend to be compact and rectangular-rounded, while joins and curves stay tight and controlled, giving letters a solid, blocky footprint. The lowercase follows a single-storey approach for forms like a and g, with short, sturdy ascenders/descenders and a clean, straightforward rhythm.
Best suited for headlines, bold editorial callouts, and brand marks where its chunky geometry and rounded corners can be appreciated. It can also work well for UI labels, navigation, and short-form signage where sturdy forms and clear numerals are helpful, especially at medium-to-large sizes.
The overall tone feels contemporary and approachable, combining a friendly softness from the rounded corners with a confident, no-nonsense heaviness. It reads as practical and slightly tech-oriented—more functional than expressive—while still maintaining a warm, easygoing character.
The design appears intended to deliver a modern, geometric voice with softened edges—combining robust presence with friendly, contemporary shapes. Its superelliptical construction suggests an aim for consistency and a clean, system-like feel while remaining approachable for consumer-facing applications.
Round letters (such as O/0) appear more like rounded rectangles than pure circles, reinforcing the superelliptical theme. The numeral set looks built for clarity at display sizes, with a distinct slashed zero to separate it from O. Diagonals (e.g., V, W, X, Y) are strong and stable, helping the face keep its weight evenly distributed across the alphabet.