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Stencil Gemo 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'DIN Next', 'DIN Next Arabic', 'DIN Next Cyrillic', 'DIN Next Devanagari', 'DIN Next Paneuropean', and 'DIN Next Stencil' by Monotype; 'PF DIN Stencil' and 'PF DIN Stencil Pro' by Parachute; and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).

Keywords: posters, headlines, logos, signage, packaging, industrial, utilitarian, technical, modernist, stencil effect, industrial tone, systemic consistency, display impact, geometric, high-contrast, angular, crisp, bold presence.


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A geometric, all-caps-forward stencil sans with clean, straight-sided construction and sharply cut terminals. Stencil breaks are consistently inserted as narrow vertical gaps through bowls and counters (notably in C, G, O/Q, S, and 0/3/5/6/8/9), creating a strong, segmented rhythm. Curves are broad and fairly circular, while diagonals in A, K, N, V, W, X, Y, and Z are crisp and assertive, giving the design a slightly angular, engineered feel. Lowercase forms are simple and sturdy, with single-storey a and g, and a compact, practical silhouette that stays legible despite the interruptions.

Best suited to display applications where the stencil rhythm can read as a stylistic feature: posters, headlines, branding marks, product labeling, and signage systems. It can also work well for short technical labels or alphanumeric identifiers where a tough, fabricated impression is desired.

The overall tone feels industrial and functional—like labeling, equipment marking, or wayfinding—while still reading as contemporary and designed. The repeated stencil bridges add a coded, mechanical character that suggests fabrication, logistics, or military/utility contexts.

The design appears intended to deliver a recognizable stencil voice with modern geometric proportions, balancing bold readability with consistent bridges that unify the set. It aims for an engineered, production-ready aesthetic that evokes cut-lettering or sprayed marking while staying clean and typographic.

The stencil gaps are generally centered and vertically aligned, which reinforces a systematic, modular look across letters and figures. Numerals mirror the same bridge logic as the uppercase, helping mixed alphanumeric strings feel cohesive in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸