Sans Superellipse Gigir 11 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Mercurial' by Grype, 'Flintstock' by Hustle Supply Co, 'Evanston Tavern' by Kimmy Design, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, sporty, industrial, techy, assertive, playful, impact, brandability, modernity, compactness, clarity, blocky, rounded, compact, sturdy, high-contrast counters.
A heavy, compact sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with tight apertures and squarish counters that emphasize a solid, block-like silhouette. Curved letters (C, G, O, Q) read as superelliptical forms, while diagonals (K, V, W, X) are broad and stable, producing a strong, engineered rhythm. Numerals are similarly chunky and modular, with a notably squared, rounded “0” and a geometric, segmented feel in “2” and “3.”
Best used for bold headlines, posters, and branding where a compact, high-impact texture is desirable. It suits sports and fitness identities, product packaging, signage, and tech/industrial visuals that benefit from sturdy geometric forms. In longer passages, it will read most comfortably at larger sizes where the tight apertures and dense color have room to breathe.
The overall tone is bold and no-nonsense, with a sporty, industrial edge. Rounded corners keep it friendly and contemporary rather than harsh, giving it a confident, punchy voice that still feels approachable. The compressed shapes and tight openings add urgency and impact, well suited to attention-grabbing messaging.
The design appears intended to deliver maximum visual punch with a geometric, rounded-rectilinear system that stays consistent across letters and numerals. Its softened corners suggest an aim to balance toughness with approachability, creating a contemporary display face optimized for branding and short-form statements.
Spacing and letterfit appear tuned for display: forms are wide enough to remain legible at larger sizes, while compact internal spaces create a dense texture in lines of text. Lowercase shapes lean toward simplified, geometric constructions (notably single-storey-style forms and squared bowls), reinforcing a uniform, logo-like consistency across the set.