Sans Superellipse Igji 6 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, loud, industrial, sporty, poster, confident, impact, modern branding, display clarity, industrial tone, sports energy, blocky, squared-round, compact apertures, ink-trap feel, high impact.
A heavy, blocky sans with squared-round geometry and soft superellipse curves throughout. Counters are compact and often rounded-rectangular, while terminals tend to finish with blunt cuts and subtle notches that read like small ink traps at joins. The rhythm is dense and punchy, with wide capitals, sturdy verticals, and minimal stroke modulation that keeps color very even. Lowercase forms lean toward simplified, single-storey construction with a tall, prominent x-height and tight internal spacing that emphasizes mass.
Best suited to large-size typography where its dense shapes and squared-round forms can read clearly—headlines, posters, banners, and high-contrast branding applications. It also fits packaging and signage that benefit from a sturdy, industrial voice and strong silhouette recognition at a distance.
The overall tone is assertive and energetic, projecting a tough, no-nonsense voice. Its squared softness gives it a contemporary, engineered feel—more playful than purely brutalist, but still unmistakably high-impact. The texture suggests sports, hardware, and bold branding where presence matters more than delicacy.
The design appears intended to deliver maximum impact with a modern, squared-round sans language, balancing blunt power with softened corners. The compact counters and notched joins suggest a focus on maintaining clarity and personality in very heavy display settings while keeping an engineered, contemporary feel.
Round letters like O and 0 become rounded rectangles, giving the font a distinctive “squared” silhouette in both display lines and isolated glyphs. Several glyphs show small interior cut-ins and angular transitions that help counters stay open at heavy weights and add a slightly mechanical character.