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Free for Commercial Use

Print Fogeb 15 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Sansmatica' by Fontop, 'Poster Sans' by K-Type, 'Hype Vol 1' by Positype, and 'Lektorat' by TypeTogether (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, handmade, retro, posterish, rowdy, impact, handmade feel, vintage print, compact headlines, condensed, blocky, rough-edged, inked, stamped.


Free for commercial use
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A condensed, heavy display face with simplified, blocky letterforms and softly irregular outlines. Strokes are broadly uniform, but edges show subtle waviness and occasional notches that suggest ink spread or a cut-and-printed texture rather than crisp geometry. Counters are compact and often rounded-rectangular, terminals are mostly blunt, and curves are slightly flattened, creating a tall, compressed rhythm with uneven, hand-shaped consistency across the set.

Best suited for posters, headlines, badges, and packaging where a compact, high-impact voice is needed. It also works well for logos and short brand phrases that benefit from a handmade, slightly distressed presence, especially when set large with ample tracking and line spacing.

The overall tone is energetic and informal, with a slightly gritty, vintage flavor. Its narrow, dense silhouettes and roughened edges read as bold and attention-seeking, lending a casual, handmade confidence that feels more expressive than polished.

The design appears intended to deliver maximum impact in a condensed footprint while retaining a human, printed-by-hand feel. The controlled repetition of shapes paired with deliberately imperfect edges suggests a display font aimed at expressive, craft-forward typography rather than neutral text setting.

In text, the compressed proportions create a strong vertical cadence, while the small counters and textured edges can darken color quickly at smaller sizes. The lowercase maintains a straightforward print-like structure, supporting short passages, but the design’s character is most pronounced in larger settings where the irregularities become a feature rather than noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸