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Sans Superellipse Tadis 7 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Fairweather' by Dharma Type, 'Grillmaster' by FontMesa, 'Bellfort' by GRIN3 (Nowak), 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Morning Edition JNL' by Jeff Levine, and 'Cargi' by Studio Principle Type (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, retro, assertive, utilitarian, playful, space saving, high impact, robust display, signage clarity, condensed, rounded corners, blunt terminals, blocky, compact.


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A compact, condensed sans with blocky proportions and softly rounded corners throughout. Strokes are heavy and even, with minimal modulation and mostly straight-sided bowls that read as rounded rectangles rather than perfect circles. Terminals are blunt and squared-off, and the counters are tight, creating a dense, poster-like texture. The lowercase is simple and sturdy, with short extenders and a single-storey structure where visible, keeping rhythm steady and legibility focused on bold silhouette rather than delicate detail.

Best suited to short, high-impact settings such as posters, headlines, signage, and packaging where a dense, attention-grabbing word shape is desirable. It can also work for labels and UI headings when space is limited, though the tight counters suggest avoiding very small sizes in long passages.

The tone is direct and utilitarian, with an industrial, stamped-signage character that also feels slightly retro. Its compressed width and chunky shapes give it urgency and impact, while the rounded corners add approachability and a casual, everyday feel.

The design appears aimed at delivering maximum presence in minimal horizontal space, prioritizing a strong silhouette and consistent, rounded-rectilinear geometry. It reads like a pragmatic display sans meant to stay robust under bold reproduction and to keep forms clear and unified across letters and numerals.

Spacing appears intentionally compact, producing a strong vertical cadence in text lines. Round letters like O/Q and numerals lean toward squarish geometry, which helps maintain consistency at tight widths and reinforces the sturdy, condensed color on the page.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸