Sans Superellipse Emres 9 is a light, wide, low contrast, italic, tall x-height font visually similar to 'Base Neue' by Power Type (names referenced only for comparison).
Keywords: ui text, editorial, branding, data display, signage, modern, clean, technical, calm, sleek, clarity, modernization, soft geometry, speed cue, systematic design, monoline, oblique, rounded, open apertures, geometric.
This typeface is a monoline, oblique sans with rounded-rectangle (superellipse) curves and a crisp, engineered rhythm. Strokes stay even throughout, with smooth joins and softly squared terminals that keep counters generous and open. Uppercase proportions feel streamlined and slightly extended, while the lowercase shows a prominent x-height with compact ascenders/descenders, supporting efficient texture in paragraphs. Numerals and diagonals follow the same measured geometry, giving the overall set a consistent, contemporary skeleton.
Well-suited to interface typography, product and technology branding, and editorial layouts that want a clean, contemporary oblique voice. The open counters and steady stroke weight also make it a good candidate for navigation, labels, and dashboards where quick scanning matters. It can work for signage and wayfinding when a modern, rounded-geometric tone is desired.
The overall tone is modern and composed, with a lightly technological, UX-forward feel. Rounded geometry softens the voice, preventing it from reading as cold, while the slant adds motion and a subtle sense of speed. It comes across as precise and polished rather than expressive or decorative.
The design appears intended to deliver a sleek, contemporary sans with softened geometry—combining a rational, constructed skeleton with rounded-rectangle curves for approachability. The oblique stance suggests an emphasis on dynamism and forward motion while keeping text settings orderly and efficient.
Curved letters like C, G, S, and the bowls in B and P show superellipse-like rounding rather than perfect circles, which helps unify the family’s geometry. The oblique angle is consistent and controlled, and the open apertures in letters such as e and c support clarity at small sizes.