Sans Normal Abbaw 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FS Koopman Variable' by Fontsmith, 'II Increments Sans' by Increments, 'Reyhan' by Plantype, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).
Keywords: ui text, editorial, branding, presentations, product marketing, modern, clean, dynamic, neutral, businesslike, readability, clarity, contemporary tone, efficient emphasis, slanted, rounded, open apertures, single-storey a, single-storey g.
This typeface is a slanted sans with smooth, rounded construction and consistently low stroke modulation. Letterforms lean forward with a steady italic angle and a relatively open, airy rhythm created by generous counters and clear apertures (notably in c, e, and s). Terminals are clean and unadorned, with softly rounded joins that keep curves flowing without sharp breaks. The lowercase uses single-storey a and g, and the numerals are straightforward and legible, with open shapes and even color across the line.
It suits interface labels, dashboards, and documentation where a clear sans voice is needed but a touch of forward motion is welcome. In editorial and marketing settings, it performs well for subheads, pull quotes, and short-to-medium passages, and it can also support contemporary brand systems that want a clean, active tone.
The overall tone is modern and pragmatic, combining a crisp, contemporary look with the energetic feel of an oblique stance. It reads as efficient and professional rather than decorative, with friendly roundness that keeps it approachable.
The design appears intended as a versatile, general-purpose sans italic that balances geometric clarity with comfortable readability. Its open forms and restrained detailing suggest a focus on dependable performance in everyday typographic settings while adding a subtle sense of speed and emphasis.
The italic posture is integral to the design rather than a simple slant, with curves and joins that maintain smooth continuity. Round characters like o and e feel close to geometric, while diagonals and straight strokes stay clean and consistent, supporting a tidy texture in longer text.