Sans Other Jabuv 1 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).
Keywords: signage, posters, headlines, branding, interface labels, industrial, retro-futurist, technical, stenciled, modular, sci-fi styling, industrial labeling, system aesthetic, display impact, geometric, rounded corners, segmented counters, high contrast joins, display.
A geometric, modular sans built from consistent stroke thickness and squared-off construction with rounded outer corners. Many letters use deliberate breaks and segmented counters, creating a stencil-like rhythm—especially in bowls and rounded forms—while straight stems and flat terminals keep the silhouette rigid and engineered. Curves are simplified into broad arcs with occasional interior gaps, and several diagonals and junctions feel mechanically cut, reinforcing a constructed, system-like appearance. Overall spacing and character widths read tightly controlled, giving text a grid-aligned, instrument-panel regularity.
Best suited to display contexts where its segmented forms can be appreciated: posters, titles, and branding marks that want a technical or futuristic edge. It also works well for signage and short UI/label text on dashboards or game interfaces, where the modular construction supports a system-like visual language.
The font conveys an industrial, retro-futurist tone—like labeling for machinery, sci‑fi interfaces, or mid-century technical graphics. Its cut-in counters and modular geometry feel engineered and purposeful, projecting a utilitarian, coded, slightly cryptic personality that remains clean rather than distressed.
The design appears intended to merge a straightforward sans structure with a distinctive stencil/segment motif, producing a controlled, engineered look that feels at home in technical and sci‑fi themed layouts. The consistent construction and repeated counter breaks suggest a focus on visual identity and pattern as much as readability.
The signature feature is the recurring internal split in round shapes (e.g., O/Q/0/8/9), which creates strong patterning in words and a distinctive texture at larger sizes. The simplified, almost schematic construction keeps forms recognizable, but the intentional gaps and stylized joins make it more characterful than a neutral grotesk.