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Free for Commercial Use

Sans Other Jadat 13 is a bold, normal width, monoline, upright, normal x-height font.

Keywords: logotypes, headlines, posters, ui display, packaging, futuristic, techno, geometric, modular, minimal, sci-fi modernity, geometric branding, interface clarity, distinctive display, rounded corners, square counters, flat terminals, high contrast silhouette, stylized forms.


Free for commercial use
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This typeface presents as a clean, geometric sans with a monoline construction and a distinctly squared skeleton softened by rounded corners. Many curves resolve into boxy arcs and rectangular bowls, creating counters that read more like rounded rectangles than ovals. Terminals are predominantly flat and orthogonal, and the overall rhythm favors compact, engineered shapes with occasional unconventional joins and cut-ins that give certain letters a custom, emblematic feel. Numerals follow the same squared-curve logic, maintaining strong consistency in stroke weight and corner treatment across the set.

It suits branding and logotypes where a modern, engineered look is desired, and performs well for headlines, posters, and short bursts of text that benefit from its distinctive squared curves. The sturdy, uniform strokes and clear silhouettes also make it a strong candidate for UI display roles, labels, and packaging where a contemporary tech-forward tone is appropriate.

The overall tone feels futuristic and instrument-like, with a controlled, modular aesthetic that suggests digital interfaces and contemporary tech branding. Its stylized geometry adds personality without becoming decorative, lending a sleek, purposeful voice that can read as modern and slightly sci-fi.

The design appears intended to merge a neutral sans foundation with a custom, modular geometry—prioritizing a futuristic silhouette, consistent stroke behavior, and recognizably squared counters. It aims to deliver a distinctive voice for display settings while keeping the overall construction clean and systematic.

Some glyphs show intentionally idiosyncratic constructions (notably in a few diagonals and inner joins), which increases distinctiveness but can also make the texture feel more display-oriented than purely utilitarian in long text. The consistent corner rounding and squared apertures create a crisp, architectural color when set at larger sizes.

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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸