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Free for Commercial Use

Distressed Punij 7 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'HK Nova' by Hanken Design Co., 'Centra No. 2' by Monotype, 'Geograph' by Sarah Khan, and 'Clarika Pro' by Wild Edge (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, stickers, grunge, playful, handmade, retro, streetwise, authenticity, vintage print, diy tone, display impact, roughened, textured, inked, chunky, blunt.


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A heavy, rounded sans with blunt terminals and softened corners, rendered with intentionally roughened edges that mimic worn ink or imperfect printing. Strokes are broadly consistent but show subtle wobble and unevenness, with occasional nicks and thin spots along curves and verticals. Counters are open and fairly generous for the weight, helping maintain clarity despite the distressed texture. The overall rhythm is lively rather than strictly geometric, with slightly irregular widths and spacing that reinforce the hand-made, printed feel.

Best suited to short, attention-grabbing text such as posters, headlines, labels, and brand marks that benefit from a tactile, worn impression. It also works well for packaging and merchandise applications where a stamped or screen-printed look is desired. For longer passages, the texture may be more effective at larger sizes where the distressed details can breathe.

The font communicates a casual, gritty energy—friendly in its rounded shapes, but rugged in its scuffed, ink-stamped surface. It suggests DIY culture, vintage packaging, gig posters, or street graphics, where imperfection reads as authenticity and character.

The design appears intended to deliver a bold, approachable sans silhouette while adding a distressed layer that evokes print wear and analog production. Its combination of rounded forms and controlled roughness aims for high-impact display typography with an authentic, handmade edge.

The distress is consistent across the set, reading as surface wear rather than random deformation, so words form a cohesive texture. The figures are sturdy and simple, matching the letterforms’ blunt, poster-like construction and remaining legible at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸