Hollow Other Onno 2 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, industrial, arcade, techy, marquee, playful, texture, novelty, thematic display, retro tech, industrial feel, stencil-like, perforated, modular, geometric, square.
A blocky, geometric display face built from squared outlines with consistent stroke thickness and sharp right-angle corners. Each glyph is defined by a solid outer contour that’s “punched” with evenly spaced circular perforations, creating a hollowed, riveted edge effect along stems, bowls, and terminals. Curves are largely squared-off, counters are rectangular, and diagonals (as in K, R, and Z) step in a pixel-like way. Spacing and widths vary per letter, but the overall rhythm stays tightly modular and grid-driven, producing a crisp, mechanical texture in words and lines.
Best suited for display typography where the perforated construction can be appreciated—posters, product branding, event graphics, titles, signage, and logo-like wordmarks. It also works well for themed UI graphics, game/arcade visuals, and tech or industrial packaging where a fabricated, panel-like texture supports the concept.
The repeated dot perforations and rigid geometry evoke marquee signage, industrial paneling, and retro digital display aesthetics. It reads as energetic and gadget-like, with a playful engineered feel that suggests hardware, arcade interfaces, or sci‑fi set dressing rather than conventional editorial typography.
The design appears intended to fuse a sturdy geometric skeleton with a distinctive punched-hole motif, turning letterforms into objects that feel manufactured rather than drawn. Its modular construction and decorative perforations prioritize strong visual identity and thematic texture in large-scale applications.
The internal perforations are integral to legibility and become more visually dominant at larger sizes, where the dotted pattern reads cleanly as a decorative system. At smaller sizes, the dot grid can visually merge into texture, so the design naturally favors headline and graphic use over dense text settings.