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Free for Commercial Use

Sans Superellipse Omkuf 2 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bebas Neue Semi Rounded' by Dharma Type, 'Letterboard' by Sunday Creative Co., and 'Cervo' by Typoforge Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, labels, industrial, modern, condensed, authoritative, utilitarian, space saving, high impact, geometric consistency, technical tone, display clarity, geometric, rectilinear, rounded corners, high contrast presence, compact.


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A compact, tightly condensed sans with monoline strokes and a distinctly rectilinear construction softened by rounded corners. Curves resolve into rounded-rectangle bowls and counters, giving letters like C, O, and Q a squarish, superelliptical feel. Terminals are mostly flat and blunt, with minimal modulation, producing a dense, even color and strong vertical rhythm. The lowercase is sturdy and compact, with simple, functional joins and short extenders; numerals follow the same tall, narrow proportions for consistent texture in mixed settings.

Best suited to headlines, posters, and packaging where a strong condensed voice helps maximize content in limited horizontal space. It also works well for signage, labels, and UI callouts that benefit from tall, compact letterforms and consistent monoline construction. In longer passages, it will create a dense, emphatic texture that is most effective at larger sizes or in short bursts.

The overall tone is modern and no-nonsense, leaning industrial and engineered rather than friendly or calligraphic. Its compressed geometry reads assertive and space-efficient, with a slightly technical, signage-like directness. The rounded-rectangle shaping adds a controlled softness without reducing its punch.

The design intention reads as a space-saving, high-impact sans that maintains a clean geometric system while adding rounded-rectangle curvature for recognizable character. It aims to deliver strong legibility and presence in tight columns and stacked layouts, with a contemporary, technical flavor.

Spacing appears tuned for tight set widths, emphasizing verticality and uniform stroke presence. The squared counters and narrow apertures can build strong texture in blocks of text, making it feel more suited to impact and labeling than airy, delicate composition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸