Sans Superellipse Omrim 6 is a bold, very narrow, low contrast, upright, short x-height font.
Keywords: headlines, posters, packaging, branding, signage, retro, punchy, playful, compact, quirky, space saving, display impact, signage clarity, retro flavor, rounded, condensed, blocky, monoline, ink-trap feel.
A compact, tightly proportioned sans with monoline strokes and rounded-rectangle curves that give counters and terminals a soft, superelliptical feel. The design is strongly condensed with tall caps and a short lowercase that sits low beneath long ascenders, producing a vertical, poster-like rhythm. Curves are simplified and sturdy, with small apertures and enclosed counters that read as clean, dark shapes; several joins and inside corners show subtle notching that creates an ink-trap-like bite at tight spaces. Overall spacing appears even but intentionally snug, reinforcing a dense, economical texture in words and lines.
Best suited to short-form typography where density and impact matter: headlines, posters, labels, and bold brand wordmarks. The condensed width makes it useful for space-constrained layouts such as packaging panels, menu headers, and signage copy that needs to fit without shrinking. It can work for brief UI labels or captions when set with generous tracking and ample size, but it primarily shines as a display face.
The tone is energetic and slightly quirky, blending a retro display sensibility with a utilitarian, stamped solidity. Its narrow stance and rounded geometry feel friendly rather than technical, while the dark massing gives it confident, attention-grabbing presence. The result suggests mid-century signage and headline typography with a playful edge.
The design appears intended as a space-saving display sans that maximizes presence through condensed proportions, rounded-rectangle forms, and simplified, sturdy construction. The subtle notches at tight joins suggest an effort to preserve clarity in dense shapes while keeping the overall texture dark and cohesive. Its consistent geometry and compact rhythm point to headline and branding use where distinctive silhouette is key.
Distinctive round forms show up in letters like O/Q and in the numerals, where curves resolve into rounded-rectangular silhouettes rather than true circles. The lowercase includes single-storey a and g, plus a compact t and tight joins that add character at smaller sizes, while remaining most legible when given room to breathe. Numerals share the same condensed, chunky construction, supporting consistent headline setting.