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Stencil Upka 16 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Hamlin Nova' by Designova and 'Acherus Feral', 'Acherus Grotesque', and 'Acherus Militant' by Horizon Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, modernist, technical, industrial, futuristic, distinctive stencil, modular system, technical voice, graphic identity, monoline, geometric, segmented, crisp, structured.


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A geometric, monoline sans with clean circular bowls and straight, engineered terminals. Many letters are constructed from separated segments, with consistent breaks that create a disciplined stencil rhythm across rounds and stems. Proportions are generous with open counters and a steady baseline presence; diagonals are sharp and the curves are near-perfect arcs. The overall drawing feels systematic and modular, producing a crisp texture in both uppercase and lowercase.

Best suited to display typography where the stencil segmentation can be appreciated—headlines, posters, brand marks, packaging, and wayfinding or product labeling. It can add a technical accent in short text settings, while longer passages will foreground the repeated breaks as a strong stylistic texture.

The segmented construction and precise geometry give the font a technical, contemporary tone. It reads as industrial and slightly futuristic, with a controlled, utilitarian personality reminiscent of labeling systems and engineered products. The repeated bridges add a distinctive, designed “signal” that feels deliberate rather than distressed.

The design appears intended to merge a clean geometric sans foundation with a systematic stencil construction, yielding a modern, engineered look. Its consistent bridges and modular stroke logic suggest a focus on visual identity and recognizable patterning over neutrality.

Stencil breaks are frequent in rounded forms (C, O, Q, e, o) and also appear in some straight-sided letters, creating a consistent motif that remains visible at display sizes. The numerals follow the same segmented logic, with strong graphic silhouettes and clear differentiation between forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸