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Sans Other Teli 8 is a light, normal width, monoline, upright, normal x-height font visually similar to 'Hamlin Nova' by Designova and 'Acherus Feral', 'Acherus Grotesque', and 'Acherus Militant' by Horizon Type (names referenced only for comparison).

Keywords: branding, posters, headlines, editorial, packaging, modernist, architectural, technical, minimalist, sleek, distinctive system, industrial accent, modern minimalism, display clarity, stenciled, gapped, geometric, high contrast joins, open counters.


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A clean, monoline sans with a geometric backbone and distinctive stenciled interruptions in many strokes. Curves are built from near-perfect arcs with small breaks at key junctions (notably in bowls and terminals), while straight stems remain crisp and vertically oriented. The design favors open, simplified forms and sharp, angled joins in letters like K, V, W, and X, creating a taut rhythm. Numerals follow the same language, with rounded figures and intentional gaps that read as deliberate cutouts rather than worn texture.

This font is well suited to branding systems, posters, and headline typography where its stenciled details can be appreciated. It can also work for editorial pull quotes and packaging, especially in contemporary or design-forward contexts. For longer text, the cutouts add character but may be best used at comfortable sizes where the breaks remain clear.

The overall tone feels modernist and engineered, combining minimalist clarity with a subtle industrial edge from the repeated stroke breaks. It suggests precision and contemporary design sensibilities, with a slightly futuristic or architectural flavor rather than a friendly, handwritten one.

The design appears intended to reinterpret a neutral geometric sans through consistent, intentional cutouts—adding a recognizable signature without departing from a clean, functional skeleton. It balances clarity and personality by keeping proportions restrained while using repeated gaps as the primary differentiator.

The recurring gaps create strong stylistic cohesion across uppercase, lowercase, and figures, and they also increase sparkle in text by introducing extra white space inside otherwise simple shapes. This gives headlines a distinctive signature while keeping the underlying letterforms straightforward and legible at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸