Sans Other Rekad 4 is a bold, very narrow, low contrast, upright, short x-height font.
Keywords: posters, headlines, packaging, game ui, zines, quirky, offbeat, hand-cut, retro, playful, standout display, compact fit, quirky tone, handmade feel, angular, blocky, condensed, irregular, tall xless.
A condensed, block-built sans with tall proportions and an intentionally uneven rhythm. Strokes are monolinear and mostly rectilinear, with sharp corners, flattened curves, and occasional wedge-like joins that make round letters (C, O, G) feel squared-off. Counters are tight and often rectangular, and many terminals end as blunt cuts; several glyphs show slight tilts, kinks, or asymmetric shoulders that add a hand-shaped, cut-paper feel. The lowercase is compact with short extenders and simple, rigid forms, while figures are narrow and similarly squared, keeping a consistent, vertical texture across mixed-case settings.
Works best for display applications such as posters, titles, packaging, event graphics, and punchy UI labels where a condensed footprint and a distinctive, quirky texture are beneficial. It can also support short phrases in editorial or zine-like layouts, especially when set with ample tracking and comfortable line spacing.
The font gives an eccentric, DIY tone—part vintage display, part playful experimental lettering. Its irregularities and squared curvature read as energetic and slightly mischievous rather than formal, creating a lively voice suited to characterful headlines.
Likely designed to deliver a compact, attention-getting display voice with a deliberately irregular, hand-cut geometric construction. The squared counters and flattened curves prioritize a distinctive silhouette and strong vertical rhythm over conventional neutrality.
Texture is strongly vertical and compact, with tight apertures and small internal spaces that can darken quickly in longer text. The distinct, boxy construction helps create a recognizable silhouette, but the deliberate unevenness suggests using generous size or spacing when clarity is critical.