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Free for Commercial Use

Sans Other Rekan 5 is a bold, very narrow, low contrast, upright, short x-height font.

Keywords: posters, headlines, branding, packaging, album art, industrial, quirky, retro, mechanical, experimental, high impact, display voice, diy feel, constructed look, compact setting, condensed, angular, stencil-like, monoline, irregular.


Free for commercial use
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A condensed, blocky sans with monoline strokes and angular, chiseled corners. Many forms show deliberate irregularity: slightly wavering verticals, subtly skewed counters, and uneven terminals that create a hand-cut or constructed feel rather than a purely geometric one. Apertures tend to be tight, bowls and counters are narrow and often rectangular, and diagonals (as in K, V, W, X, Y) read as sharp wedges. Numerals and lowercase echo the same tall, compressed proportions, with compact counters and squared-off joins that keep the texture dense and poster-like.

Best used for headlines, titles, logos, and display typography where its condensed, constructed shapes can carry the visual voice. It can work well on posters, packaging, album artwork, or entertainment-themed graphics, especially when a bold, mechanical personality is desired. For longer passages, larger sizes and generous tracking help maintain clarity.

The overall tone is assertive and offbeat—industrial and mechanical, but with a playful, handmade edge. Its irregular geometry adds a gritty, DIY energy that can feel retro-futurist or game/arcade adjacent, making text look intentionally “built” rather than typeset.

The design appears intended to deliver a compact, high-impact display sans with a deliberately irregular, hand-constructed geometry. Its squared counters, wedge-like diagonals, and slightly uneven stroke behavior suggest a stylized “cut metal/paper” aesthetic aimed at attention-grabbing typographic statements.

The rhythm is intentionally uneven: widths vary across letters, and several glyphs appear slightly top-heavy or subtly tilted, which adds character but reduces neutrality in running text. In sample paragraphs the dense vertical cadence creates strong texture, best suited to short bursts where the distinctive shapes can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸