Blackletter Tuku 2 is a regular weight, normal width, high contrast, upright, short x-height font.
Keywords: logotypes, headlines, posters, book titles, packaging, medieval, formal, ornate, dramatic, historic, historic evocation, decorative impact, manuscript style, branding tone, angular, calligraphic, fractured, blackletter capitals, sharp terminals.
This font presents a sharply cut, blackletter voice with narrow internal counters, pointed joins, and crisp, blade-like terminals. Strokes show strong thick–thin behavior with straight vertical emphasis and faceted curves, producing a rhythmic, broken-outline texture typical of pen-made forms. Capitals are highly embellished and compact, with looped and spurred detailing, while lowercase forms remain denser and more vertical, contributing to an even, dark typographic color. Numerals follow the same chiseled, calligraphic construction, mixing curved bowls with abrupt angles for a cohesive set.
This font is best suited to display settings such as logotypes, titles, posters, and themed packaging where a historic or ceremonial tone is desired. It can work for short passages or pull quotes when set large enough to preserve interior detail, but it will be most effective for headings and branding rather than small-size continuous reading.
The overall tone is ceremonial and historic, evoking manuscripts, heraldry, and traditional craft. Its strong contrast and angularity create a dramatic, authoritative mood, while the decorated capitals add a sense of pageantry and old-world sophistication.
The design appears intended to recreate a pen-driven blackletter aesthetic with pronounced contrast and faceted construction, balancing ornate capitals with a more text-oriented lowercase. Its consistent angular rhythm suggests a focus on evoking traditional lettering while remaining usable across common display typography tasks.
In running text, the tight counters and frequent angular breaks create a dense texture that benefits from generous sizing and spacing. The capital set is especially attention-grabbing and functions well as an ornamental layer above the more restrained lowercase rhythm.