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Slab Monoline Omry 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Otsu Slab' by TeGeType (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, industrial, vintage, authoritative, utilitarian, editorial, compact impact, rugged display, retro utility, strong voice, sturdy, condensed, blocky, mechanical, high-contrast counters.


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A condensed slab serif with sturdy, mostly uniform strokes and squared, bracketless terminals. Serifs are blunt and rectangular, giving the letterforms a stamped, engineered feel. Counters are tight and vertical, apertures are relatively narrow, and curves (notably in C, G, S, and O) are built from compact, controlled arcs rather than broad rounds. The lowercase shows a single-storey a and g, with compact bowls and short joins; numerals are similarly narrow and robust, with simple, block-like construction.

Best suited for headlines, subheads, posters, and bold callouts where a compact width and strong presence are beneficial. It also fits packaging, labels, and signage that want a durable, industrial voice, and can work for logo wordmarks that need a condensed, slab-serif bite. For extended reading, it’s likely most effective in short blocks or larger sizes due to its dense texture.

The overall tone is no-nonsense and workmanlike, with a distinctly retro-industrial flavor reminiscent of labeling, posters, and product marks. Its condensed stance and heavy terminals project authority and urgency, while the consistent stroke weight keeps it grounded and utilitarian rather than elegant.

The design appears intended to deliver maximum impact in a tight horizontal footprint, pairing blunt slab terminals with controlled curves for a rugged, display-forward personality. It prioritizes solidity and legibility at larger sizes, evoking a practical, printed-mark aesthetic.

In the text sample, the dense rhythm and tight internal spaces create a strong dark color on the line, which helps headings feel emphatic but can make long passages feel heavy. The design’s squared details and clipped curves read crisply at display sizes and maintain a disciplined, mechanical cadence across mixed case and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸