Sans Superellipse Gyraz 4 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'FF Oxide Solid' by FontFont, 'Forza' by Hoefler & Co., 'Evanston Tavern' and 'Refinery' by Kimmy Design, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, industrial, tech, sporty, confident, blocky, impact, modernity, cohesion, signage, rounded corners, geometric, compact apertures, squared counters, sturdy.
A heavy, geometric sans with a squared-off superellipse construction: bowls and counters read as rounded rectangles, with consistently softened corners and near-monoline stroke weight. Curves are minimized in favor of flat terminals and boxy interior shapes, giving letters like O/Q/0 and B/P/R a compact, engineered feel. The lowercase is tall and dense, with short ascenders/descenders relative to the x-height and tight-looking apertures; the overall rhythm is steady and built from broad verticals and wide, stable horizontals. Numerals follow the same rounded-rect logic, producing clear, uniform silhouettes with a distinctly modular structure.
Best suited to large-scale applications where mass and shape can carry personality—headlines, posters, brand marks, labels, and product packaging. The blocky rounded construction also fits UI display moments, wayfinding-style graphics, and sports/tech branding where a strong, compact silhouette is desirable.
The tone is assertive and modern, leaning toward an industrial and tech-forward character. Its bulky forms and rounded-square geometry suggest durability and performance, with a slightly retro-futuristic, signage-like confidence rather than a delicate or editorial voice.
This font appears designed to translate rounded-rectangle geometry into a bold, contemporary sans that reads as robust and highly graphic. The goal seems to be maximum impact and consistency across glyphs, producing a distinctive, engineered look for display typography.
The design’s defining trait is the consistent “squircle” language across rounds, counters, and corners, which keeps the set visually cohesive from caps to numerals. Counters are relatively closed and rectangular, emphasizing solidity and a stamped/machined impression.