Font Hero

Free for Commercial Use

Slab Contrasted Ully 2 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Pulpo' by Floodfonts, 'Passenger Serif' by Indian Type Foundry, and 'Clarendon' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, mastheads, signage, sturdy, vintage, confident, editorial, collegiate, impact, heritage, readability, display emphasis, bracketed, blocky, ink-trap hints, ball terminals, compact joins.


Free for commercial use
Customize the font name

A heavy, slab-serif design with broad proportions, assertive stems, and clearly bracketed serifs that soften transitions into the strokes. Counters are relatively compact and the curves are full, with round bowls and a steady, slightly organic rhythm that suggests print-forward shaping. Several letters show distinctive ball terminals and curled endings (notably in forms like J and y), giving the otherwise blocky construction a bit of warmth and personality. Numerals are robust and highly legible, matching the uppercase weight and serif treatment for strong, even color in setting.

It works best for display typography where weight and presence are an advantage: headlines, posters, mastheads, packaging, and bold signage. The sturdy slab structure also suits short subheads and pull quotes where you want a firm, traditional voice with high legibility.

The font reads as sturdy and traditional, with a nostalgic, workmanlike tone reminiscent of classic editorial and collegiate lettering. Its heavy slabs communicate confidence and authority, while the occasional rounded terminals add a friendly, slightly quirky note that keeps it from feeling purely industrial.

The design appears intended to deliver a classic slab-serif voice with maximum impact: thick strokes, confident proportions, and readable counters for strong typographic color. Subtle rounded terminals and bracketed serifs suggest an aim to balance toughness with approachability for attention-grabbing, print-oriented applications.

Spacing appears generous enough to keep the dense shapes from clogging at display sizes, and the serif structure helps maintain a strong baseline and cap-line presence. The overall impression is consistent and emphatic, optimized for impact rather than delicacy.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸