Hollow Other Haji 12 is a light, wide, very high contrast, upright, tall x-height font.
Keywords: headlines, posters, packaging, logos, book covers, playful, quirky, retro, storybook, handcrafted, display impact, decorative texture, retro charm, playful branding, outlined, inline, flared, bulbous, bouncy.
A decorative display face built from heavy, rounded forms that are knocked out into a hollow/outlined construction with a secondary inner line that behaves like an inline. Strokes show pronounced contrast between thick outer masses and thinner interior contours, with frequent wedge-like flares at terminals and corners that give the shapes a slightly chiseled, cut-paper feel. Counters are generous and often irregularly framed, and the overall rhythm is bouncy rather than strictly geometric, with subtly uneven curves and varied glyph widths that read as intentionally idiosyncratic. Numerals and caps are bold and blocky, while the lowercase keeps a stout, high-waisted silhouette that maintains a strong color even at moderate sizes.
Best suited to short, attention-grabbing text such as headlines, posters, packaging fronts, brand marks, and book or event titles. The hollow/inline construction can also work well where a lighter “filled” impression is desired without losing bold silhouette definition, especially at larger sizes.
The tone is whimsical and vintage-leaning, suggesting fairground signage, storybook titling, or playful retro packaging. Its outlined, hollowed structure feels crafty and theatrical, with enough eccentricity to signal fun rather than formality.
The design appears intended to deliver a bold display voice with a hollowed, decorative interior that adds personality and texture. By combining chunky outlines, high-contrast inner detailing, and flared terminals, it aims to evoke a playful retro sign-painting sensibility while remaining legible for prominent titling.
The hollow/inline treatment creates a strong figure–ground effect: letters appear simultaneously solid and airy, which increases presence in headlines while keeping interiors lively. Curved letters (C, G, O, S) emphasize the rounded, buoyant character, and the consistent terminal flaring helps unify the set despite the intentionally irregular inner cutouts.