Sans Normal Ofkim 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Hanley Pro' by District 62 Studio, 'Averta Standard PE' by Intelligent Design, and 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, sturdy, impact, approachability, modernity, clarity, brand voice, rounded, soft corners, geometric, compact, high impact.
A heavy, geometric sans with broad, rounded bowls and subtly softened corners that keep the mass from feeling harsh. Curves are built from near-circular forms (notably in C, G, O, and the numerals), paired with straight-sided stems and clean horizontal terminals. Counters are relatively small and apertures lean toward closed, producing a compact, punchy texture at display sizes. The lowercase shows single-storey a and g, a simple ear on g, and a short-armed r; the numerals are stout and circular, with a robust 8 and a rounded 0.
Best suited to headlines and short emphatic copy where its weight and compact counters read as confident and attention-grabbing. It works well for branding and packaging that needs a friendly, contemporary voice, and for signage or labels where bold shapes and simple construction help recognition at a glance.
The overall tone is bold and approachable, combining a modern geometric base with friendly, rounded detailing. Its density and smooth curves give it an energetic, poster-like presence without feeling aggressive.
Likely drawn to deliver a modern, geometric sans that feels warm and approachable while still providing strong impact. The softened corners and rounded forms appear intended to balance solidity with friendliness for prominent display use.
The design favors solid silhouettes and even rhythm over openness, so letters can feel tightly packed in text blocks, especially where counters are narrow (e, a, s) and joins are thick (m, n). Diacritics and punctuation are not shown, but the displayed set suggests a focus on clear, high-impact shapes.