Print Onbim 6 is a regular weight, normal width, medium contrast, italic, normal x-height font.
Keywords: posters, packaging, social media, quotes, greeting cards, casual, friendly, lively, personal, approachable, handwritten feel, friendly voice, informal display, quick note, human warmth, brushy, organic, rounded, bouncy, textured.
This font has a handwritten, brush-pen look with a consistent rightward slant and softly modulated strokes. Terminals are rounded and slightly tapered, with subtle texture and unevenness that reads as natural hand pressure rather than geometric construction. Forms are generally open and airy, with generous curves (notably in C, O, S) and a lively baseline rhythm; some letters show mild width variability and gentle simplification typical of quick lettering. Uppercase and lowercase share the same informal construction, and numerals follow the same brushy, human cadence with rounded shapes and slightly irregular joins.
It works well for casual display needs such as posters, packaging accents, social graphics, quote treatments, and greeting-card style messaging where a human, handwritten feel is desirable. It can also serve for short subheads or pull quotes when paired with a neutral text face, especially where a friendly, informal voice is needed.
The overall tone is warm and conversational, conveying an easygoing, personal voice. It feels energetic without being loud, leaning toward playful friendliness rather than formality. The italicized flow and brush texture add a sense of motion and spontaneity, like a quick note or casual headline.
The design appears intended to emulate quick, confident brush handwriting with enough regularity to stay legible while preserving organic variation. Its slant, rounded terminals, and lightly textured strokes suggest a focus on conveying personality and motion for expressive, informal typography.
Counters remain clear in most letters, supporting readability at display and short-text sizes, while the textured stroke edges and rhythmic irregularity become more noticeable as sizes get smaller. The capital set includes a few looser, more gestural shapes that can add character in titles, and the lowercase maintains a consistent slanted cadence suitable for continuous phrases.