Sans Faceted Abrak 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Potomac' by Context, 'EFCO Fairley' by Ephemera Fonts, 'Enamela' by K-Type, 'Eloque' by Prestigetype Studio, 'Hemispheres' by Runsell Type, 'Manifest' by Yasin Yalcin, and 'Gineso Titling' by insigne (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, tactical, arcade, retro tech, impact, ruggedness, modularity, clarity, branding, octagonal, chamfered, blocky, geometric, stencil-like.
A heavy, geometric sans built from straight strokes and crisp chamfered corners, replacing curves with octagonal facets. Counters are compact and mostly rectangular, giving letters a dense, engineered feel, while diagonals are simplified into hard angles rather than smooth joins. Caps read as wide, sign-like blocks; lowercase keeps the same modular construction with single‑storey forms (notably a and g) and squared terminals. Numerals follow the same faceted logic, with a boxy 0 and an 8 built from stacked, clipped counters for strong consistency.
Best suited to display settings where its angular, faceted construction can read clearly and add attitude—headlines, posters, team or event branding, and bold packaging. It also works well for short UI labels, signage, or game/tech-themed graphics where a mechanical, octagonal look is desirable.
The overall tone is tough and utilitarian, with strong associations to sports marking, industrial labeling, and game interfaces. Its sharp facets and compact apertures create a punchy, no‑nonsense rhythm that feels assertive and slightly retro-digital.
The letterforms appear designed to translate a rugged, manufactured aesthetic into a simple, repeatable system: straight strokes, clipped corners, and compact counters that hold together at large sizes. The aim is impact and recognizability rather than softness or neutrality, using faceting to suggest strength, precision, and modularity.
Tight interior spaces and pronounced corner clipping make the texture darker in longer text, where the angular rhythm becomes a defining feature. The design stays highly consistent across uppercase, lowercase, and figures, emphasizing a unified, modular construction.