Stencil Abho 12 is a light, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, modernist, futuristic, technical, minimal, distinctive stencil, tech aesthetic, system consistency, display impact, geometric, monolinear, stenciled, modular, clean.
A geometric sans built from even, monoline strokes and clean circular/rectilinear forms, with consistent stencil breaks that create crisp bridges through bowls and terminals. Curves are near-perfect arcs and counters stay open and spacious, while straight stems and horizontal bars keep a strict, engineered rhythm. Proportions are balanced and compact, with slightly squared curves in places and deliberate notches that repeat across capitals, lowercase, and numerals for a unified system.
Best suited to display applications where the stencil breaks can be appreciated: posters, titles, logos, packaging, and themed signage. It can also work for short UI labels or section headers in tech-forward designs, especially when set with generous size and tracking.
The repeated breaks and precise geometry give the face a futuristic, industrial tone—more display-forward than conversational. It reads as technical and methodical, with a sleek modernist feel that suggests machinery, wayfinding, or sci‑fi interfaces rather than handwritten warmth.
The design appears intended to merge a clean geometric sans structure with a consistent stencil mechanism, creating a recognizable, systemized voice. The goal seems to be a contemporary display face that signals precision and utility while remaining visually distinctive through its engineered breaks.
The stencil logic is especially prominent in round letters and numerals, where bridges bisect circular strokes for a signature look. At larger sizes the cut-ins feel crisp and decorative; at smaller sizes the internal breaks may become the dominant feature, so spacing and size will strongly influence legibility.