Sans Superellipse Otnum 1 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Ft Thyson' by Fateh.Lab, 'Collegium' by GRIN3 (Nowak), 'Brave Brigade' by Invasi Studio, 'Enamela' by K-Type, 'Nulato' by Stefan Stoychev, 'Hockeynight Sans' by XTOPH, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, tech, sporty, utilitarian, retro, impact, clarity, modernity, sturdiness, geometric consistency, rounded corners, squared curves, compact bowls, high contrast counters, sturdy.
A compact, heavy sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform and blocky, with square terminals and broad verticals that give the letters a dense, stable footprint. Curves resolve into superellipse-like bowls (notably in O, C, G, and lowercases like o/e), and apertures tend to be relatively narrow, producing tight counters and a punchy silhouette. The lowercase follows a straightforward, geometric rhythm with a tall x-height and minimal modulation; figures are similarly squared and robust, with simplified, sign-like shapes.
Best suited to headlines, posters, logos, and packaging where a solid, compact voice is needed. It also works well for signage, labels, UI headings, and sports/tech-themed graphics where sturdy, squared-rounded forms improve recognizability at a glance.
The overall tone feels industrial and technical, with a sporty, scoreboard-like firmness. Its rounded-square geometry adds friendliness without losing a rugged, utilitarian character, making it read as modern with a mild retro display flavor.
The font appears designed to deliver maximum impact with a geometric, rounded-rect silhouette—combining the blunt clarity of engineered lettering with softened corners for approachability. Its emphasis on compact bowls, uniform stroke, and high x-height suggests an intention toward strong display readability and a contemporary-industrial feel.
The design leans on rounded corners rather than true circular arcs, creating a consistent “machined” softness across letters and numerals. The spacing and proportions support strong word shapes at larger sizes, while the dense interiors can become visually dark in longer text blocks.