Sans Superellipse Okbam 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'FF Good' by FontFont, and 'Crossfit' and 'Crossfit Core' by TypeThis!Studio (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, friendly, industrial, utilitarian, techy, geometric clarity, robust display, friendly tech, systematic forms, rounded corners, soft geometry, uniform strokes, closed apertures, compact counters.
A geometric sans with superelliptical construction: rounds read as rounded-rectangle bowls, and corners are consistently softened rather than fully circular. Strokes are heavy and even, with squared terminals that are subtly radiused, creating a sturdy, compact texture. Proportions feel slightly condensed and blocky, with relatively tight internal counters in letters like B, P, R, and e. The lowercase shows simple, single-storey forms (notably a and g), a short-armed t, and a compact, squared-off shoulder rhythm, reinforcing a clean, engineered appearance.
Best suited for headlines, brand marks, packaging, and posters where a strong, modern presence is desired. It can work well for signage and UI labels when used at comfortable sizes, benefiting from its clear silhouettes and consistent stroke weight. In longer passages, it reads as a dense, no-nonsense sans that performs best with generous size and spacing.
The overall tone is contemporary and approachable while still feeling practical and robust. The softened corners add friendliness, but the compact geometry and dense color keep it firmly in an industrial, signage-like register. It suggests modern interfaces, devices, and streamlined branding rather than expressive or calligraphic styling.
The design appears intended to deliver a contemporary geometric voice built from softened rectangular forms, balancing firmness with approachability. Its consistent rounding and compact counters suggest an emphasis on repeatable, system-like shapes that hold together across display and interface contexts.
The numerals and capitals maintain a consistent boxy-round logic, producing a strong, even typographic color in continuous text. Forms lean toward closed apertures and compact joins, which enhances solidity at larger sizes but can make interior spaces feel tight in smaller settings. The rhythm is steady and disciplined, with minimal modulation and a clear emphasis on uniform geometry.