Sans Faceted Abmah 14 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Iron Warrior' by Cyberian Khatru, 'Aureola' by OneSevenPointFive, 'Stallman Round' by Par Défaut, 'Unamel' by Sensatype Studio, 'Hornsea FC' by Studio Fat Cat, 'Bikemberg' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, industrial, authoritative, sporty, urban, retro, maximum impact, space saving, geometric styling, signage feel, angular, chiseled, condensed, blocky, high-contrast apertures.
A tightly condensed, heavy sans with a faceted, chiseled construction. Curves are largely replaced by straight segments and clipped corners, producing polygonal bowls and octagonal counters (notably in O/0 and rounded letters). Strokes are consistently thick with minimal modulation, while internal cutouts and notches create crisp apertures and a slightly stenciled feel in places. The lowercase follows the same squared, vertical rhythm, with compact forms and tall proportions that keep lines dense and emphatic.
Best suited to short, high-impact settings such as headlines, posters, apparel graphics, sports branding, packaging, and bold logo wordmarks. It can also work for signage-style display lines where a compact, forceful silhouette is desirable; extended body text may feel visually dense at smaller sizes.
The overall tone is tough and assertive, mixing industrial signage energy with a sporty, poster-driven punch. Its sharp facets and compressed width feel mechanical and no-nonsense, giving text a commanding, high-impact presence.
The font appears designed to maximize impact in limited horizontal space while maintaining a distinctive, faceted geometry. Its consistent corner-cut language suggests an intention to evoke machined, architectural, or athletic aesthetics without relying on curves.
The design leans on strong verticals and flat terminals, with repeated diagonal corner cuts that unify the alphabet. Counters are relatively narrow and geometric, and the numerals match the same angular logic for a cohesive headline set.