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Free for Commercial Use

Sans Superellipse Myma 5 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Murat Grotesque' by Bülent Yüksel, 'Futura Now' by Monotype, 'Alumni' by TypeSETit, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, industrial, punchy, retro, sporty, assertive, impact, compactness, signage, bold branding, modern utility, condensed, rounded, blocky, compact, soft-cornered.


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A compact, heavy sans with a condensed stance and rounded-rectangle construction throughout. Strokes are thick and steady, with corners softened into superellipse-like curves rather than sharp joins, giving counters a squarish-yet-rounded feel. Curves (C, S, 0) are tightened and verticals dominate, producing a dense rhythm and strong rectangular silhouette. Terminals tend to be flat and blunt, and apertures are relatively closed, emphasizing solidity and uniform color in text.

Best suited for display use where density and impact are assets: headlines, posters, branding marks, packaging fronts, and punchy callouts. It can also work for short subheads or navigation labels when you want a compact, high-contrast block of text, but its tight apertures and heavy weight favor larger sizes and shorter runs.

The overall tone is forceful and functional, with a friendly softening from the rounded corners. It reads as urban and industrial with a retro signage flavor, projecting confidence and impact rather than delicacy. The compressed proportions add urgency and momentum, making the voice feel bold, direct, and headline-driven.

The design appears intended to deliver maximum visual weight in a compact footprint while keeping forms approachable through rounded geometry. Its consistent soft-cornered construction suggests a goal of strong, modern legibility with a retro-industrial edge for attention-grabbing typography.

The design leans on vertical emphasis and compact internal spaces, which creates strong presence at large sizes and a tightly packed texture in lines of text. Round forms appear slightly squared off, and many shapes feel engineered from consistent radii, reinforcing a cohesive, modular look across letters and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸