Font Hero

Free for Commercial Use

Solid Povi 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Space Time' by Lauren Ashpole, 'Clarence Alt' and 'Clarence Pro' by RodrigoTypo, and 'Raintage' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, chunky, playful, quirky, cartoonish, retro, impact, humor, texture, novelty, branding, blobby, craggy, blocky, rounded, irregular.


Free for commercial use
Customize the font name

A compact, heavy display face built from dense, solid silhouettes with largely closed counters. Forms alternate between rounded bulges and abrupt, cut-off facets, creating a carved-and-squished geometry that feels intentionally uneven. Terminals tend to be blunt, with occasional notches and angled bites that interrupt otherwise soft curves. Spacing and widths vary noticeably from glyph to glyph, producing a jittery rhythm in words, while the overall stance remains stable and upright.

Best used for short, high-impact settings such as posters, cover art, event graphics, packaging callouts, and logo-like wordmarks. It can work for playful signage or social graphics where texture and attitude matter more than extended readability; avoid small sizes or dense paragraphs where the closed interiors may obscure character recognition.

The font reads as fun and offbeat, with a handmade, cut-paper or rubber-stamp energy. Its lumpy contours and occasional sharp interruptions give it a mischievous, toy-like tone that leans more comedic than formal. The solid, counterless construction makes it feel bold and punchy, suited to attention-grabbing, high-impact messaging.

The design appears intended to deliver maximum visual mass and personality through solid, simplified shapes, prioritizing silhouette-based recognition over internal detail. Its irregular cuts and bouncy contours suggest a deliberate novelty voice aimed at playful branding and statement typography.

Because internal openings are mostly collapsed, letter differentiation relies on outer silhouettes and distinctive notches, which increases personality but reduces clarity at smaller sizes. The texture becomes especially pronounced in longer lines of text, where the irregular edges create a lively, slightly chaotic word shape.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸