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Sans Normal Oklek 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Prenton RP' by BluHead Studio, 'Macho' by Dada Studio, 'FF Kievit' by FontFont, 'Quire Sans' by Monotype, and 'Calluna Sans' by exljbris (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, retro, punchy, approachable, approachability, display impact, retro modernity, brand voice, high legibility, soft corners, round terminals, compact caps, ink-trap feel, quirky rhythm.


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A heavy, rounded sans with soft corners, broad curves, and minimal contrast. Counters are generously open, and many joins and terminals show gentle rounding that keeps the texture smooth even at large sizes. Proportions feel slightly compact in the capitals, while the lowercase maintains a steady, readable build with sturdy stems and simplified bowls. Overall spacing and letterfit produce a lively, uneven rhythm that reads intentional rather than geometric-perfect.

Best suited for display-forward work where a strong, friendly voice is needed: posters, brand wordmarks, packaging, and short-form advertising. It can also work for UI labels or signage when set with comfortable tracking and line spacing, where its open counters and sturdy shapes support quick recognition.

The font conveys an upbeat, approachable tone with a subtle retro flavor. Its chunky forms and softened edges suggest warmth and informality, giving text a personable voice without becoming cartoony. The slightly quirky rhythm adds energy, making headlines feel expressive and conversational.

The design appears intended to deliver a bold, approachable sans for attention-grabbing typography, blending rounded construction with a slightly idiosyncratic rhythm to feel contemporary yet familiar. It prioritizes impact and friendliness over strict geometric precision, making it effective for expressive brand and campaign settings.

Several shapes hint at pragmatic cut-ins and tight joins (an ink-trap-like impression) that add character and help prevent dark spots in heavy strokes. Diacritics and punctuation in the sample show the same rounded, weighty treatment, keeping the texture consistent across mixed-case setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸