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Free for Commercial Use

Sans Superellipse Efmuk 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka (names referenced only for comparison).

Keywords: sports branding, tech ui, automotive, product labeling, headlines, futuristic, technical, sporty, streamlined, dynamic, speed cue, tech branding, systematic design, modernization, rounded corners, squarish bowls, oblique slant, wide apertures, monoline.


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A slanted, monoline sans with rounded-rectangle construction and softened corners throughout. Curves tend to resolve into squarish bowls and superellipse-like counters, giving round letters a slightly boxed silhouette. Strokes stay even with minimal contrast, and terminals are clean and largely straight-cut, producing crisp joins and a taut rhythm. The uppercase feels compact and engineered, while the lowercase keeps a straightforward, utilitarian structure with open apertures and steady spacing; numerals follow the same rounded, squared-off logic for a cohesive alphanumeric set.

Well suited to sports and performance-oriented branding, automotive or transportation themes, and technology-facing identities. The clean, squared-round shapes and consistent stroke weight also work well for UI headings, dashboards, packaging callouts, and short-to-medium headline text where a streamlined, engineered voice is desired.

The overall tone is modern and kinetic, with a distinctly technical, forward-leaning attitude. Its rounded-square geometry reads as engineered rather than friendly, suggesting speed, equipment, and interface design more than editorial warmth.

The design appears intended to merge a contemporary oblique sans with superellipse-inspired geometry, prioritizing speed, clarity, and a cohesive, system-like feel across letters and numerals. Rounded corners and squared bowls aim to balance sharp technical precision with a controlled softness for versatile display use.

Round forms (like O, Q, and 0) read as softly squared, and several diagonals (A, K, V, W, X, Y) emphasize a fast, aerodynamic slant. The sample text shows consistent texture at paragraph sizes, with the oblique angle providing motion while the low-contrast strokes keep the color even.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸