Sans Other Olga 10 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, game ui, tech branding, futuristic, techno, industrial, arcade, modular, display impact, tech aesthetic, geometric system, retro-future, angular, geometric, squared, stencil-like, hard-edged.
This typeface is built from rigid, orthogonal strokes with sharply cut corners and frequent 45° chamfers, producing a modular, machine-cut silhouette. Curves are largely replaced by squared bowls and angular notches, giving letters like C, G, S, and O a boxy, engineered feel. Counters are compact and often rectangular, while joins and terminals favor blunt ends and clipped diagonals that create a consistent, faceted rhythm. Overall spacing reads slightly mechanical, with distinctive, constructed letterforms that prioritize graphic impact over conventional sans smoothness.
Best suited for short, bold applications where its angular construction can read as a design feature—headlines, posters, logos, packaging accents, game titles, and UI labels in tech or sci-fi themed projects. It can also work for signage-style graphics where a mechanical, fabricated look is desirable, but is less ideal for long-form text due to its strong geometric quirks.
The tone is assertive and high-tech, with an arcade-and-industrial energy that suggests digital interfaces, sci-fi labeling, and engineered systems. Its hard geometry and chunky presence feel utilitarian yet playful, evoking retro-futurist display typography and game UI styling.
The design appears intended to translate a modular, grid-based construction into a bold display voice, emphasizing sharp geometry, chamfered corners, and compact counters for a distinctive techno aesthetic. It prioritizes a cohesive, engineered texture across uppercase, lowercase, and numerals, aiming for immediate visual identity and strong impact at larger sizes.
Several glyphs incorporate intentional cut-ins and step-like interior shapes that add a quasi-stencil character without fully breaking strokes apart. The numeral set follows the same squared, modular logic, and the lowercase maintains the angular construction, reinforcing a cohesive, systematized look across cases.