Sans Faceted Koju 1 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, gaming ui, tech branding, sports graphics, futuristic, industrial, techno, game-like, mechanical, sci-fi feel, impactful display, tech clarity, modular system, chamfered, angular, squared, modular, rounded corners.
A geometric sans built from squared strokes with chamfered cuts and selectively rounded outer corners. Curves are largely replaced by planar facets, creating clipped bowls and rectangular counters, while terminals tend to end in flat, horizontal/vertical slices. The design keeps stroke thickness consistent and relies on sharp notches and cut-ins for character differentiation, producing a compact, engineered rhythm with tight apertures in letters like S and G. Numerals follow the same modular logic, with boxy forms and inset counters that read clearly at display sizes.
Best suited to display typography such as headlines, posters, packaging callouts, and interface titling where its angular silhouettes can be appreciated. It also fits technology and gaming contexts, as well as sporty, high-energy graphics where a mechanical, engineered voice is desirable.
The overall tone is futuristic and utilitarian, evoking technology interfaces, sci‑fi hardware labeling, and arcade or racing aesthetics. Its hard-edged geometry and controlled spacing communicate precision and speed rather than softness or tradition.
The design appears intended to deliver a contemporary, machine-made look by substituting curves with faceted geometry and maintaining consistent stroke weight. It prioritizes distinctive, high-impact shapes for branding and titling, aiming for a clean but aggressive presence across letters and numerals.
The lowercase mirrors the uppercase’s modular construction, with single-storey forms and simplified joins that emphasize clarity over calligraphic nuance. The faceting creates distinctive silhouettes, but the squared counters and narrow openings suggest it will feel most confident when given room and size in headlines rather than long passages.