Sans Rounded Ibma 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: branding, posters, packaging, signage, ui labels, playful, retro-futurist, techy, friendly, quirky, distinctive voice, modern signage, playful tech, rounded, geometric, soft corners, stencil-like, inline dots.
A rounded, monoline sans with soft, squared curves and a deliberately simplified, modular construction. Many forms show small cut-ins and wedge-like notches at joins and terminals, lending a lightly stencil-like, segmented feel while keeping stroke weight even. Counters are generally open and circular, with several glyphs incorporating dot details (notably in A, C, O, and some numerals), reinforcing a constructed, icon-like rhythm. Overall spacing reads clean and steady, with compact, efficient shapes and a consistent cap-to-lowercase relationship suited to set text as well as display.
Well-suited for branding and logotypes that want a friendly tech sensibility, as well as posters, packaging, and short headlines where the notches and dot details can read clearly. It can also work for UI labels and interface typography when a distinctive, rounded voice is desired, especially at sizes that preserve the small interior details.
The tone is upbeat and contemporary with a distinct retro-tech flavor, like futuristic signage or a playful UI system. The dot accents and notched terminals add character without turning decorative, giving it a friendly, gadgety personality that feels designed rather than handwritten.
The font appears intended to combine straightforward sans readability with a signature set of constructed details—rounded geometry, small cut-in terminals, and occasional dot counters—to create a recognizable, modern display voice that still holds together in longer lines.
The design leans on geometric primitives—round bowls, straight stems, and softened corners—creating a cohesive system across uppercase, lowercase, and numerals. The sample text suggests good legibility at moderate sizes, while the distinctive cut-ins and dot motifs become more prominent as the type gets larger.