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Stencil Elru 2 is a bold, narrow, low contrast, italic, tall x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Ft feliux' by Fateh.Lab, 'Play Day Stencil JNL' by Jeff Levine, and 'Buyan' by Yu Type (names referenced only for comparison).

Keywords: posters, headlines, labels, packaging, signage, industrial, military, vintage, assertive, kinetic, impact, utility, thematic, retro sport, condensed, oblique, stenciled, rounded, athletic.


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A condensed, oblique stencil face with heavy, low-contrast strokes and rounded terminals. Letterforms are built from simplified, mostly monoline shapes with frequent vertical emphasis, narrow apertures, and compact counters. Stencil breaks are consistent and conspicuous, cutting through key joins and curves in a way that preserves legibility while adding a rhythmic, segmented texture. The overall color is dense and uniform, with tight internal spacing and an energetic forward slant.

Best suited to short-to-medium display settings where the stencil breaks read clearly: posters, headlines, product packaging, labels, and bold signage. It works well for branding that wants an industrial, athletic, or military-adjacent flavor, and for thematic graphics such as event titles, album art, or game/UI headers. For longer passages, generous size and spacing will help maintain clarity.

The segmented strokes and pronounced slant create a utilitarian, high-impact tone that feels industrial and slightly militaristic. Its condensed proportions and punchy silhouettes give it a fast, mechanical attitude suited to attention-grabbing statements. The rounded edges soften the hardness just enough to read as sporty and retro rather than strictly technical.

The design appears intended to deliver a compact, forceful stencil look with a forward-leaning, action-oriented rhythm. By combining heavy strokes, rounded terminals, and consistent bridges, it aims to feel rugged and functional while remaining readable in bold display applications.

Uppercase and lowercase share a cohesive construction, with the lowercase maintaining a sturdy, simplified skeleton and minimal detailing. Numerals follow the same stencil logic and condensed build, producing a uniform, poster-friendly rhythm across mixed alphanumeric settings. The strong stencil interruptions become a dominant visual feature at larger sizes, while at smaller sizes the dense weight and tight counters can increase the overall darkness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸