Sans Other Olvi 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut, 'Quayzaar' by Test Pilot Collective, and 'Mevhaizok' by Yumnacreative (names referenced only for comparison).
Keywords: game titles, posters, ui headings, logos, signage, retro tech, arcade, sci-fi, industrial, digital, pixel aesthetic, display impact, tech voice, screen legibility, modular system, blocky, modular, square, rectilinear, angular.
A square, grid-driven sans with blocky geometry and hard right angles throughout. Strokes are heavy and mostly uniform, with stepped corners and rectangular counters that read as intentionally pixelated rather than smoothly drawn. Proportions are compact and mechanical, with frequent notches, cut-ins, and angular joins that create a chiseled, modular rhythm across text.
Best suited for display applications where a digital or retro-tech tone is desired: game titles, UI headers, scoreboards, posters, packaging accents, and branding for tech or electronic themes. It also works well for short labels and numerals in dashboards or interface mockups, while long-form text may feel dense due to the heavy, block-like texture.
This font conveys a distinctly digital, game-like mood with a touch of sci‑fi and retro tech. Its rigid, modular construction and chunky presence feel confident and utilitarian, suggesting interfaces, arcade screens, and pixel-era signage rather than editorial refinement.
The design appears intended to emulate a pixel/grid construction while remaining a solid, high-impact display face. Its simplified, rectilinear forms and squared counters suggest an emphasis on a consistent modular system and a strong techno voice suitable for on-screen or signage-like settings.
Numerals and capitals are especially architectural, with boxy bowls and counters that reinforce the grid concept. The sample text shows a consistent, chunky texture and clear angular differentiation between many characters, driven more by cut-ins and modular steps than by curves.