Sans Superellipse Abmur 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Sizmo' by FontFont, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Novin' by Naghi Naghachian, 'PT Filter' by Paavola Type Studio, and 'Hype vol 2' by Positype (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, headlines, modern, neutral, technical, clean, approachable, legibility, modernization, soft geometry, system consistency, geometric, rounded, compact, even, utilitarian.
This sans serif is built from sturdy, geometric strokes with generously rounded corners and smoothly squared-off curves, giving many bowls a superellipse-like feel. Terminals are clean and mostly horizontal or vertical, and the stroke weight stays even across straight and curved segments. Proportions are compact with open counters and clear apertures, while round letters like O/C/G read as softly rectangular rather than purely circular. The lowercase shows a tidy, two-storey g and a simple, workmanlike construction overall, paired with lining figures that share the same rounded-rectangle geometry.
It works well for interface typography, dashboards, and product labeling where clean shapes and high legibility are important. The firm, rounded geometry also suits contemporary branding and short headlines, while remaining restrained enough for longer informational text blocks.
The overall tone is contemporary and matter-of-fact, combining a friendly softness from the rounded forms with a confident, no-nonsense rhythm. It feels practical and system-minded rather than expressive, suited to straightforward communication where clarity is the priority.
The design appears intended to deliver a modern, highly legible sans with softened geometry—balancing technical clarity with a more approachable, rounded voice. Its consistent construction suggests a focus on dependable, repeatable forms that hold up across a range of sizes and settings.
Spacing and fit appear disciplined, with consistent sidebearings and a stable baseline presence that keeps paragraphs looking orderly. The capitals are strong and signage-like, and the numerals are simple and legible, matching the font’s squared-round motif.