Sans Other Isgoy 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Aragon Sans' by Canada Type, 'Cirta' by Eurotypo, 'FF Kievit' by FontFont, 'JAF Domus Titling' by Just Another Foundry, 'Arazatí' by TipoType, 'Karol Sans' by Type-Ø-Tones, and 'Arazatí' by Underground (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, social graphics, quirky, friendly, informal, playful, hand-cut, handmade feel, approachability, distinct voice, casual tone, soft corners, wobbly, humanist, open forms, rounded joins.
A sans with softly irregular, hand-cut construction and low-contrast strokes. Curves are slightly lopsided and terminals vary in angle, creating a lively rhythm rather than mechanical uniformity. Counters are generally open and rounded, with simplified bowls and a gentle, humanist feel; straight strokes show subtle waviness and occasional tapering at joins. Overall proportions read clean and legible, while small inconsistencies in width and curvature give it a distinctive, crafted texture.
Works well for headlines, posters, packaging, and brand identities that benefit from an informal, handcrafted voice. It can also support short-to-medium passages in editorial or web contexts when a friendly, characterful sans is desired, particularly at moderate sizes where the subtle irregularities can be appreciated.
The font communicates a casual, friendly tone with a mischievous edge—more zine-like and handmade than corporate. Its uneven stroke behavior and off-kilter details add warmth and personality, suggesting approachability and light humor. It feels contemporary and informal, suited to expressive messaging without becoming decorative or script-like.
Likely designed to deliver the familiarity of a simple sans while introducing handmade, imperfect details for personality. The goal appears to be approachable legibility with a crafted, slightly eccentric texture that differentiates it from neutral grotesks.
Uppercase forms stay relatively straightforward, while lowercase shows more character—noticeable in the single-storey forms and the playful movement in letters like j, r, and s. Numerals are bold and simple with rounded geometry, designed to read clearly while matching the font’s slightly wobbly texture. Spacing appears comfortable in text, with a consistent color that remains lively due to the irregular outlines.