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Free for Commercial Use

Serif Humanist Ihva 5 is a regular weight, wide, high contrast, upright, normal x-height font.

Keywords: book covers, posters, headlines, branding, packaging, antique, literary, craft, weathered, dramatic, vintage effect, print texture, handmade feel, dramatic display, textured, deckled, inked, worn, organic.


Free for commercial use
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This serif design shows old-style proportions with a slightly condensed-to-normal stance in the lowercase and more expansive, assertive capitals. Strokes exhibit noticeably uneven edges and interior bite marks, creating a deckled, ink-worn texture that reads like distressed printing rather than clean digital outlines. Contrast is apparent, with firm verticals and sharper thinning in joins and terminals, while serifs are bracketed and irregularly tapered, contributing to a hand-touched rhythm. Curves (C, O, e, o) appear slightly roughened and not perfectly circular, and many terminals end in subtly flared, chiseled shapes that enhance the rugged silhouette.

This face is well suited to display roles where texture is an asset: book covers, posters, editorial headlines, and brand marks that want an aged or handcrafted tone. It can also work for short bursts of text—pull quotes, labels, and packaging copy—when set at comfortable sizes and with ample spacing to keep the distressed details from closing in.

The overall tone feels antique and literary, with a tactile, archival character reminiscent of aged book type or worn letterpress impressions. Its roughened edges add drama and grit, lending an artisanal, slightly gothic atmosphere without becoming overtly ornamental. The texture conveys authenticity and mood, making text feel historically situated and materially printed.

The design intent appears to pair classic old-style serif structure with purposeful erosion and ink spread, capturing the visual warmth of historical printing while delivering a bold, characterful presence. The controlled irregularities suggest a goal of adding atmosphere and tactility without losing the underlying readability of a traditional serif skeleton.

The distressing is consistent across uppercase, lowercase, and numerals, giving the font a unified, deliberately imperfect color on the page. In paragraph samples, the texture increases perceived density, so generous tracking and line spacing will help preserve clarity in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸