Sans Normal Asgih 14 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Mesveda' by Agny Hasya Studio, 'AG Book W1G' by Berthold, 'CG Triumvirate' by Monotype, and 'Dylan' by Wiescher Design (names referenced only for comparison).
Keywords: ui text, editorial, signage, presentations, branding, modern, neutral, clean, friendly, functional, versatility, clarity, readability, modern utility, systematic design, rounded, geometric, open apertures, crisp, balanced.
A clean sans with a geometric backbone and softly rounded curves. Strokes are even and consistent, with smooth circular bowls (notably in O/C/G) and straight-sided verticals that keep counters open. Terminals are largely clean-cut, with gentle curvature where strokes transition into bowls, producing a calm, engineered rhythm. Uppercase proportions feel balanced and straightforward, while lowercase forms are simple and highly legible, with a two-storey “a” and open, uncluttered shapes throughout. Numerals follow the same clear geometry, with readable, moderately rounded forms.
It suits UI and product typography, dashboards, and general-purpose interface copy where clean shapes and open counters aid scanning. It also works well for editorial subheads, presentations, and straightforward branding systems that need a contemporary, unobtrusive sans.
The overall tone is modern and neutral, prioritizing clarity over personality. Its rounded geometry adds a mild friendliness without becoming playful, giving it a pragmatic, contemporary voice that fits many contexts.
The design appears intended as a versatile, everyday sans that balances geometric structure with comfortable readability. Its restrained detailing and consistent forms suggest a focus on clarity, neutrality, and broad applicability across digital and print settings.
The font maintains consistent spacing and a steady typographic color in the paragraph sample, with generous internal counters that help it hold up at text sizes. Curves are smooth and controlled, and diagonals (V/W/X/Y) feel crisp and stable, reinforcing a tidy, designed-for-interface sensibility.