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Stencil Esla 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Cybersport' by Anton Kokoshka, and 'EFCO Fairley' by Ephemera Fonts (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, military, utilitarian, tough, mechanical, impact, labeling, ruggedness, systematic, blocky, condensed, angular, high-contrast negative, segmented.


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A heavy, compact, all-caps-forward stencil design with squared, blocky letterforms and consistent straight-sided geometry. Stencil breaks are cut as rectangular notches and narrow bridges, creating crisp internal gaps in bowls and counters (notably in C, G, O, Q, and numerals) while keeping overall silhouettes strong and legible. Curves are restrained and often squared-off, terminals are blunt, and diagonals appear in letters like A, K, V, W, X, Y, and Z with clean, engineered angles. Spacing and rhythm feel tight and uniform, giving text a dense, poster-ready texture at larger sizes.

Best suited for display applications where the stencil breaks become a feature: posters, bold headlines, industrial or event signage, packaging, and product labeling. It also works well for short technical copy such as identifiers, section headers, and numbering in UI or print layouts where a rugged, utilitarian voice is desired.

The tone is functional and hard-edged, evoking equipment labeling, shipping crates, and rugged signage. Its segmented construction reads as purposeful and practical rather than decorative, projecting a no-nonsense, tactical mood with an industrial edge.

The design appears intended to deliver a strong stencil aesthetic with robust silhouettes and clear bridges, optimized for impactful setting and an engineered, industrial feel. Its compact proportions and consistent segmentation suggest a focus on repeatable, system-like typography for marking, labeling, and bold titling.

The stencil joinery is visually prominent and fairly consistent across uppercase, lowercase, and figures, producing distinctive interrupted strokes that remain readable in short lines. The figures share the same cut-through treatment as the letters, reinforcing a cohesive system for codes, serials, and numbered headings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸