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Stencil Imko 3 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Nuber Next' by The Northern Block, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, sportswear, industrial, tactical, sporty, assertive, retro, impact, marking, motion, ruggedness, attention, slanted, compact, blocky, angular, cutout.


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A heavy, slanted stencil design with compact, forward-leaning forms and large interior counters. Strokes are broadly uniform and strongly geometric, with frequent diagonal terminals and squared-off curves that keep the rhythm tight and punchy. Stencil breaks appear as clean bridges and sharp cutouts through bowls, joins, and horizontals, creating a consistent “segmented” texture across caps, lowercase, and numerals. Spacing reads firm and efficient, favoring dense word shapes and high ink coverage.

Best suited to short, high-impact typography such as posters, headlines, logos, team or event branding, and packaging callouts. It also fits apparel graphics and signage where a rugged stencil voice is desired. Use larger sizes to let the bridges read clearly and to keep the cutouts from filling in visually.

The overall tone is forceful and utilitarian, evoking industrial labeling, tactical markings, and high-impact sports graphics. The italic stance adds speed and urgency, while the crisp stencil interruptions give it a manufactured, engineered feel. It communicates confidence and motion more than refinement.

This font appears designed to merge a bold italic display voice with stencil functionality, keeping letterforms fast, compact, and highly recognizable while adding systematic breaks for a cutout-marking aesthetic. The goal is strong visual presence and a repeatable industrial texture across the alphabet and numerals.

Round letters like C, O, Q, and S show prominent internal slicing that preserves recognizable silhouettes while adding distinctive patterning. Numerals inherit the same cut-and-bridge logic, producing bold, poster-ready figures that remain coherent at a glance. The texture can become visually busy in long passages, but it excels when used to create strong, graphic emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸