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Sans Superellipse Apmu 1 is a light, normal width, monoline, upright, normal x-height font visually similar to 'Nue Archimoto' by Owl king project (names referenced only for comparison).

Keywords: ui, headlines, signage, branding, product labels, tech, futuristic, clean, minimal, clinical, modernize, systemize, soften geometry, maximize clarity, brand distinctiveness, rounded, geometric, squared, soft-cornered, modular.


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A monoline geometric sans built from rounded-rectangle and superellipse-like curves, producing squared counters and softened corners throughout. Strokes maintain an even thickness with clean terminals, and most curves resolve into controlled, boxy arcs rather than true circles. Proportions feel slightly modular and grid-driven, with open apertures and restrained detailing that keeps letterforms crisp at a range of sizes. Numerals and lowercase share the same rounded-square logic, giving the set a consistent, system-like rhythm.

Well suited to interface typography, wayfinding, and product branding where a modern, geometric voice is desired. It can perform effectively in short blocks of text, captions, and labels thanks to its open shapes and orderly spacing, while its distinctive rounded-square construction also makes it strong for headlines and logotypes.

The overall tone is modern and technical, with a sleek, device-interface sensibility. Rounded corners soften the geometry, keeping it approachable while still reading as precise and engineered. It suggests contemporary signage, UI typography, and sci‑fi influenced branding rather than traditional editorial warmth.

The design appears intended to deliver a contemporary, systematized sans with a recognizable superelliptical construction—combining technical precision with softened corners for a friendly, modern presence. It prioritizes uniform stroke behavior and consistent geometry to create a cohesive look across uppercase, lowercase, and numerals.

Several forms lean on rounded-rect bowls and squared-off curves (notably in C, O, Q, and the lowercase set), reinforcing a cohesive superelliptical theme. Diagonals (such as in V, W, X, and Y) are straightforward and angular, contrasting with the rounded bowls and adding crisp structure to words. The design favors clarity and consistency over calligraphic nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸