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Free for Commercial Use

Serif Normal Otkor 2 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Eschaton' by Paulo Goode (names referenced only for comparison).

Keywords: headlines, editorial, magazines, branding, posters, fashion, luxury, dramatic, refined, display impact, luxury tone, editorial voice, signature detailing, hairline serifs, bracketed, knife-like, sculpted, calligraphic.


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A high-contrast serif with sculpted, flaring terminals and hairline serifs that often taper to sharp points. The weight distribution is strongly calligraphic: thick main strokes are paired with extremely thin joins and entry/exit strokes, producing a crisp, chiseled silhouette. Curves are generously rounded but frequently end in angled, blade-like tips, and several letters show distinctive cut-ins and notches that add sparkle in display sizes. Proportions are on the expanded side, with ample counters and a steady baseline rhythm that keeps the texture controlled despite the dramatic contrast.

This face is well suited to headlines, magazine covers, and editorial typography where contrast and sharp detail can be shown clearly. It also fits premium branding, packaging, and poster work that benefits from a refined but commanding serif voice. For best results, use it at display sizes and in high-quality reproduction so the hairline elements remain visible.

The overall tone is confident and glamorous, combining classic editorial polish with a slightly theatrical sharpness. Its razor-thin details and sweeping, carved shapes suggest luxury branding and high-end publishing, while the bold black shapes keep it assertive and attention-grabbing.

The design appears intended to deliver a classic serif foundation with heightened contrast and distinctive, blade-like terminals for a modern luxury feel. Its expanded proportions and sculpted detailing prioritize presence and memorability in display settings while maintaining an overall conventional serif structure.

In the sample text, the very fine hairlines and pointed terminals create a lively shimmer, especially on diagonals and curved letters. The numerals match the same carved, high-contrast logic, reading as elegant and emphatic rather than neutral. The distinctive terminal treatment gives many glyphs a signature look, which increases personality but also makes it feel more headline-oriented than purely utilitarian.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸