Outline Lahy 5 is a very bold, wide, low contrast, upright, tall x-height font.
Keywords: game titles, arcade ui, posters, logos, headlines, arcade, retro, techy, playful, digital, retro tech, arcade feel, pixel aesthetic, graphic impact, ui display, pixelated, boxy, modular, geometric, stencil-like.
A chunky, modular display face built from square, pixel-like steps with crisp 90° corners and a consistent grid logic. Letters are drawn as thick outer contours with the interior carved away, creating a hollow, cut-out look; many counters read as squared “windows,” and several joins form notches and angular bites. Proportions are broad and blocky with compact inner apertures, producing a tight, high-impact rhythm that stays legible at larger sizes while emphasizing shape over fine detail.
Best suited for display applications such as game branding, arcade-inspired posters, retro-tech packaging, event flyers, and bold on-screen headings. It also works well for short logo wordmarks where the hollow, pixel-structured silhouette can be a defining motif. For longer text, larger sizes and generous spacing help maintain clarity of the interior cut-outs.
The overall tone feels distinctly arcade and screen-native, evoking 8‑bit UI, retro game title screens, and hardware labeling. Its hollow construction adds a playful, engineered character—somewhere between pixel signage and futuristic stencil lettering—making it energetic and attention-grabbing rather than subtle.
The design appears intended to translate pixel-grid aesthetics into a bold outline system, prioritizing iconic silhouettes, modular construction, and a distinctly digital texture. Its hollow strokes suggest a focus on punchy, screen-era styling that remains graphic and recognizable in titles and UI-like contexts.
Diagonal strokes are rendered as stepped segments, giving characters like K, M, V, W, X, and Y a pixel-stair profile. Several glyphs use squared counters and inset dots, reinforcing the digital, modular system. The outline construction can visually fill in at small sizes, so it reads best when given room and contrast.